His artwork in general is based on the exploration of the relationship between sculpture and architecture, a natural interaction between volume and space, light and matter, between society and individual, program and fantasy. The artist develops here a new language articulated on the superposition of simple geometric layers. Those layers sculpted in black granite create a powerful and sinuous dragon of 20 meters long and 3 meters high.

Location: Earth Zone

By: Paul Alexandre Bourieau

The six-metre tall artwork looks like ten abstract mountains with water flowing down gently from the top. The water is collected at the bottom and pumped up again to the top of pipes, forming continual cycles of constantly flowing water, which is a symbol of wealth beloved by the Chinese.

Location: Water Zone

By: Danny Lee

The flame-like piece is comprised of 10 pieces each measuring approx. 2.5 metres. Fire is constantly moving, yet going nowhere. It changes everything it touches yet itself remains unchanged. Its power, often in disguise, can be harnessed for both creation and destruction and to this end, it presents itself in myriad forms. In this sculpture, the artist has concentrated on the idea of white heat and all its implications; each purifying flame captured for one elusive moment in a three dimensional form.

Location: Fire Zone

By: Lincoln Seligman

Man & Mok use worm trials in the sculpture as a way of drawing people's attention to ordinary things in our environment and our rapidly developing city. They used organic lines and vibrant images to construct the artwork. The negative and positive spaces in between the two separated parts represent the feasibility and potential of imagination. It signifies the concept of the integration of heaven and humanity and invisible vitalization.

Location: Wood Zone

By: Man Fung-yi & Mok Yat-sun